Munich City Hall
By Gregor Gosciniak, German Editor

25 July 2005: Built in the 1860s, the Munich City Hall’s neo-gothic architecture is the result of a show of strength between a local, rather conservative, politician and the City Council. The politician opposed the Council’s plan for a Renaissance-style building to replace the old City Hall (Altes Rathaus). Eventually, Munich’s City Council caved in and asked Georg von Hauberrisser, then a 24-year old architectural student, to design a new City Hall.

Hauberrisser approached the task with the fervor characteristic of a newly employed college graduate. He designed everything himself, including the City Hall’s intricate façade, the labyrinth pattern on the floor of the main inner courtyard, the furniture and even the lighting fixtures.

In 1874, when the new building was ready to be opened, everyone realised there was one major problem: it was too small!

While the City of Munich hastily arranged the purchase of additional land, von Hauberrisser went back to the drawing board. It was during the second phase of design and construction that the City Hall’s famous clock with its Glockenspiel was added.

The extension to the City Hall was completed in 1904. Today, it is very noticeable where the first construction phase ended and the second began. Red bricks of the earlier half meet with pale stone used in the building of the extension. In an effort to give the City Hall a more unified appearance, statues of the Wittelsbach royal family were added.

Fortunately, during the Second World War the building suffered little damage. The magnificent stained glass windows, the twisting staircases, the vaulted ceilings and the elaborately caved woodwork are, for the most part, in their original state.

On a clear day, visitors to Munich’s City Hall can enjoy far-reaching views of the city and the Alps from its 85-metre high tower.

Every day at 11am, noon and at 5pm the almost life-size figures of the Glockenspiel re-enact two events of Munich’s history: a tournament held in 1568 to celebrate a royal marriage and Schäfflertanz (Cooper’s Dance), which dates back to the 17th century then celebrating the passing of the plague.

At 9pm, a short performance features the Münchner Kindl, the little monk, who is the city’s symbol, being led to bed by the night watchman of Munich and the Friedensengel (Angel of Peace). The 43 bells of the clock, weighing about 7,000 kilos) play a lullaby, while the clock is specially lit during the duration of the performance.